I learned that abortion was wrong before I learned what abortion was. I later learned that abortion was murdering an unborn child. I learned both of these things from Christian rock songs.
A typical example was “Who Will” by DeGarmo & Key, from their 1989 album “The Pledge”, which I found for £1 in a Christian bookshop bargain bin in about 1992. I was seven at the time. I never actually liked “Who Will” very much, but I heard it a fair bit because my dad played the whole album in the car. He never talked to me about the lyrics or what the meant, but I took it that everything therein had his approval since it was Christian and he kept playing it.
This is the first installment of my series on Christian rock. Read the introduction here.
Carman was where it all began for me. Before my family discovered Carman, Christian music was tedious, church was boring, and there’s an excellent chance I would have looked for entertainment in secular culture. After Carman, being a Christian seemed exciting, like something I wanted to do for myself rather than just something I did because it was my duty as a member of my family.
Compared Michael Jackson, Carman was not fantastic. But, at least in my case, Jackson was not really the competition (although I had heard “Black or White” at school and it was the greatest thing I’d ever heard) (proper school, that is, before I went to the ACE school). Carman’s competition was Graham Kendrick and Don Francisco, and had I known the term and been allowed to use it, I would have told you that those guys sucked balls.
The first Carman song I ever heard was “Radically Saved”.
Today, governments are worried about the radicalisation of young Muslims and the Government spends millions on anti-radicalisation programmes. In 1991, I (aged six) began to think of the term as a badge of honour.