Welcome to the first installment of a new series. When I named this blog “Leaving Fundamentalism” I really meant it to be a diverse examination of all the unusual parts of my bizarre Christian upbringing. In the end, mostly because of my PhD studies, the blog has been swarmed by posts critiquing ACE. Here’s a bit of light relief: Once a week I’ll show you a Christian rock song from my childhood and talk about how it affected me.
People might be misled by this into thinking that ACE and Christian rock are somehow related. They aren’t, really. ACE is adamant in its opposition to Christian rock music. In fact, that was the first thing I disliked about ACE. Long before I realised how sexist it is, or how racist, and years before I noticed they’d been teaching me lies, I loathed ACE because they were opposed to Christian rock music, which for me was the biggest reason that I was enthusiastic about being a Christian.
In the rules for ACE’s student conventions (annual competitions between ACE schools and students), the music section reads now as it did when I was in school:
Competition arrangements are to be Christian or patriotic rather than secular. Classical instrumental music is allowed as long as it is non-offensive to Christian values or good taste. Music sung or played with a jumpy, sensual, or worldly style is not acceptable. Contemporary Christian, jazz, gospel rock, or gospel country music are not acceptable. In our music guidelines, “contemporary” refers to a style of music, not the date on which a piece was written. Music must be appropriate for a typical conservative fundamental church service (musical arrangement, text, and presentation).